Fashion and Art Essay

A controversial commonplace debate that has existed for piecey years, and allow probably unflustered be argued for many years to come, is the relatively close relationship that hammer and ruse has. People in both the personal manner and fine artistry industries (or as some artists ilk to call art cosmea) turn in very mixed opinions and ideas on the collaborationism of panache and art and how one colorthorn influence the other in the attention we live in today. prowess is cunning and demeanor is an industry, as quoted from in Michael Boodros Art and way (2007), he banks that agency is just a man made craze that has solo been popularised by the many followers in public that atomic number 18 cloned to consume the ideas of direction. Boodro also believes that modality comes with no illusions attached He believes that there isnt a depth to fashion as there is in art, he believes art is an academia with vast depths of acquaintance involved as to fashion, which is a change and very monochrome in its appearance, with no hidden messages.He goes on to explain that the interest in fashions rootage started in the late 1800s/early 1900s when only the rich and wealthy could afford artwork, in a form of portraits, then these painters created calculate fashions in this paintings, learning the art of mantle and how to portray fabrics in the best practical light, For display case Gustav Klimt, portraits of women, designed dresses that were more crowing than his subjects.Following on from this, Boodro then goes on to highlight some interesting cogitate mingled with art and fashion in how the artists has always formed the inspiration for the designer, much(prenominal) as Valentino has taken black and white geometric motifs from the Viennese artists Josef Hoffman and Koloman Mosen and embroided them in sequins and dresses galore(postnominal) other examples there to highlight that a key to a designers success is by taking inspiration from in troductory art work by innovative and imaginative artists, which supports Boodros opinion that fashion is a follower and a form of art. habit were placed in an extra-artistic ambit- where the most fragment they relieve oneself remained. This is taken from a contrast piece of writing from mold and Art by L. Svendsen (2006). As you john see, the title Fashion and Art is a reversion to Boodros Art and fashion, this is because, as quoted above, Clothes (fashion) were placed in an extra-artistic sphere, meaning that he sees Fashion as a seperate category to Art, and not a branched off form of art itself.Svendsen has a much more equalise opinion for both sides of the opinion, he can pick out where Art and Fashion do merge into one, and also how Fashion has separated itself from art. He stated that in the early 1900s, Fashion was very exceptional and boundaries were strict due to Freedom was or else restricted, as the creations had to appeal to the aesthetic preferences of the customer.Even though artists and art critics will strongly disagree that Fashion is a form of Art, even iconic designers such(prenominal) as Paul Poiret, one of the foremost iconic fashion designers of the early twentieth Century stated I am an artist, not a dressmaker, designers dislike how critics would limit their title to just a dressmaker, limiting their skills and talents instead of originative s that they dream to be acclaimed for. some other controversial quote though from a famous designer, Martin Margiela who insists that fashion is a craft, not art Moving into the 1920s and 30s with the Cubism science in artwork replacing realism, Fashion also in turn started to arrive more abstarct, and this was when Haute Couture was born, designs became more elaborate and the previous boundaries that existed were lifted, giving designers a vast playground in which they could experience with their work and ideas. some Fashion Designers have used strategies ordinarily associated with contemporary art rather than the world of fashion, by creating clothes that are ameliorate suited to exhibitions in galleries and museums than for actual go to piecesThis shows a great link between fashion and art, it was evolving to become so analysis and outrageous that the best way for them to be displayed to their best potential was in galleries and museums, the compar adequate way as artwork would be, For example right away in Museums such as the Victoria and Albert in London, there is now Fashion Archives, and many international designers have homed themselves there for one-off elaborate exhibitions.To conclude I think that I would categorise Fashion as a form of art, simply not a direct chair of art, I think many tribe have similar opinions of the two because they are such broad topics with an almost eternal amount of space for creativity. I do agree that some of fashions many undefeated collections and campaigns stemmed from the innovative ideas of previous ar tists still some of the more successful fashion moments have been solely down to the fictive minds of the designer If I had to categorize the fashion industry and the Designers work, I would place it beneath craftsmanship and creativity, as previously quoted by Martin Margiela. To finalise though I believe that art and fashion shouldnt be labelled and the two should be able to intertwine to create magical and direful pieces.