measure for measure notes Essay -- essays research papers

exercise II, Scene 1 To no avail, Escalus pleads with an adamant Angelo to have pity on the life of Claudio. Angelo does non re in ally consider Claudios crime to be something major, entirely he is intent on assoiling out the "measure of the law" and to be strict with all offenders who break the law. As a result, he orders Claudio to be executed the next morning. Escalus is grieved over Claudios fate, but is helpless to stop the execution. Elbow, a constable, enters with Froth and Pompey in custody, both guilty of immoral acts. When Escalus questions them about their crimes, they devote long and ridiculous answers. Angelo, disgusted with their chatter, asks Escalus to settle the case and leaves the place. Although Escalus is dismayed by the steady decay of established social standard, he dismisses Froth and Pompey with a warning he tells them that if they be again arrested for immoral activities, their punishment leave alone be severe.Notes Angelo is adamant in enforc ing the law to the letter, and, therefore, plans the execution of Claudio. When Escalus pleads for mercy for Claudio and tries to rationality with him, saying that anyone, even Angelo himself could have committed the crime, Angelo argues and says, "It is one thing to be tempted, Escalus, another thing to fall." It is ironic that later in the ladder Angelo is tempted and commits the corresponding crime, proving his total hypocrisy. Escalus serves as a foil to Angelo. Escalus is older, wiser, and merciful. On the other hand, Angelo is youthful and relentless. He wants to follow his orders to restore dignity to the City, and he is determined to carry out the law with great strictness, assigning punishment equally no matter the circumstances. It is obvious that he is using Claudio to set an example for all others involved in immoral activities. He plans to execute Claudio for having fathered an illegitimate child. Ironically, in the same scene, Escalus dismisses the charges against Froth and Pompey with only a warning, yet both of them are truly guilty of immoral behavior. Elbow, Froth, and Pompey are representatives of the lower class of rules of order in contrast to Escalus and Angelo. The entry of the three men provides comic repose to the scene. Elbow, in his mission as a serious constable, uses highbrow language, which is alter with malapropisms. Instead of saying malefactors, he says benefactors, and he say... ...ave been chosen with careful references to the chief(prenominal) theme. Thus, Isabella stands for saintly purity Angelo stands for self- righteousness the Duke represents a psychologically sound and pundit ethic Lucio represents indecent wit and Pompey and Mistress Overdone symbolize master copy immorality. Each character, therefore, illumines some facet of mans morality or immorality and the play strives to define what is moral and just. The entire atmosphere of the play is one of unearthly and critical morality. In the beginning of the play, Isabella is a novice at St. Clare. The Duke disguises himself as a Friar, exercising the divine privileges of this office towards Juliet, Barnardine, Claudio, and Pompey. In fact, the Central intellect of Measure for Measure can easily be stated in Christian terms "And forgive us our debts as we forgive our debtors." Since Angelo is not a conscious hypocrite, it is easier to forgive even him. Self-deception and pride accept him. When desire for Isabella overcomes him, Angelo even struggles against it and prays to heaven. Since he is weak, the struggle is short-lived Angelo soon gives in to his desires and becomes an utter scoundrel.